The Kota Kinabalu Waterfront Place Object is selected for its role as an urban edge —
a horizontal boundary where land stops and the city releases outward.
There is no central point.
No enclosure to define.
Instead, it records transition:
movement slowing at the waterline,
the city ending without a wall.
This object does not frame the sea.
It records the moment
where structure gives way to openness.
Designed to exist quietly within a space.
On a shelf.
On a desk.
Along a wall.
The Place Object does not describe the city.
It holds a position within it.